The Claws of Axos

A huge spacecraft called Axos buries itself on Earth and broadcasts a proposal- in return for the opportunity to refuel, mankind will be given Axonite, a material that can solve both the energy and food crisis of Earth. But Axonite and the Axons are not what they seem, and they are not acting alone.

The script by Bob Baker and Dave Martin is solid enough but not spectacular, containing little that had not been covered (somewhat more skilfully) in the previous season. However, this is not what sets this story apart. Perhaps more than any other story, The Claws of Axos succeeds or fails depending on the viewer's own particular sense of æsthetics. The production team is called to realise an organic spacecraft and their realisation is certainly imaginative. However, the early 1970s were not famous for tasteful combinations of colours and it is easy to sympathise with the viewer who finds the set design absolutely hideous- yellow is a colour that does not lend itself easily to saturation. In my opinion, although the sets are, indeed, very colourful, I can appreciate the imagination and creativity of them. The main chamber in Axos is reminiscent of a heart ventricle and there are nerve ganglia and ligaments in all the sets. The blobby Axons are mostly effective, although some shots are better than others. Michael Ferguson's direction is up to his usual high standard, not only in showing us the psychedelic environment of Axos, but in effective action sequences. Dudley Simpson's score is, shall we say, idiosyncratic and seems, at times, to be making it up on the spot on a Delaware synthesiser. The science in the story is very dodgy- apparently, all one has to do to escape a giant nuclear explosion is to drive away a few miles and, once the explosion has happened, it is perfectly safe to drive back!

The guest cast is very variable. Paul Grist is a bit flat as Bill Filer, but Donald Hewlett and Tim Piggot-Smith are rather good. There are some more serious character problems, however. Winser is made to be a rather unlikeable figure for no reason whatsoever and we are actually glad when he gets killed (or I was, anyway!) There have been many scientists in Doctor Who who mistrust the Doctor and think him a fool, but they have always had a proper place in the plot. Peter Bathurst's performance as Chinn is perfectly sound, but Bathurst is miscast. The character should have either been played as a young, inexperienced, but overconfident man, or a single-minded blowhard. With Bathurst playing him, I actually felt sorry for Chinn quite a few times! The regulars are on good form with some very nice scenes given to the Master when he is inspecting the Doctor's TARDIS. There is also an unusual and well played turn of events when the Doctor appears to join with the Master and abandon Earth. The Doctor has pretended to join with the villain before, but there is a real personal stake in it this time and we are not sure. This is the first time we have seen the Doctor piloting the TARDIS since he regenerated and the ease in which the Third Doctor does this is obvious.

The Claws of Axos is a real mixed bag, but does contain much that is good. It depends, really on how much you like yellow.

NEXT: Colony in Space