Terrence Dicks’s Wobot is a story where the Doctor helps UNIT in combating a threat, but it’s all change for this story. There is a new Doctor whose presence colours every scene of the story, while following a format that would easily fit Jon Pertwee’s Doctor. Here, the threat is a giant robot that is being used by a group called the Scientific Reform Society. The plot has a slightly lighter touch than previous stories, with a cosier kind of catastrophe than is usual- in fact the story seems to be aimed more at kids than a general family audience. This is no bad thing and Dicks’s script is full of great lines and good, if sometimes inconsistent, characterisation.
This is helped by a good supporting cast. Professor Kettlewell is obviously meant to be an absent-minded professor from a kids’ TV show, with his cardigan, pebble glasses and wild hair, but Edward Burnham gives him some depth. Then there is Michael Kilgarriff as the titular automaton. His rich voice is a welcome asset, but the real triumph is the wonderful design of the robot. The whole story is generally excellently realised. Just as Jon Pertwee’s debut was shot entirely on film, this story was shot entirely on video, even the location work, which gives the story a very unified look. Problems arise when the robot is required to grow to gigantic proportions- although background and object are better matched, due to the all-video shooting, it is far from perfect and the robot carries a doll to represent Sarah. This part of the story is obviously influenced by King Kong. Perhaps it is thankful that there are no dinosaur fights, considering what happened in the previous season. Then there’s the use of the toy tank, but it’s not egregiously bad.
However, the main reason the story is remembered is the new Doctor. Even today, 28 years after he relinquished the role, to many, Tom Baker is the Doctor. It is his likeness that appeared in episodes of The Simpsons and Family Guy, for example and only David Tennant has shaken that stranglehold since then. This is probably due to his unequalled tenure in the role, combined with the fact that it was his stories that reached the widest audience in the United States in the 20th Century. Whatever hindsight reveals, he is phenomenally good in his début- manic, incapable of even sitting normally and full of energy- I love his look of glee when he first sees the TARDIS. It is shocking how young he looks in this story, even though he was over 40. Although it was Jon Pertwee’s Doctor who said that he was serious about ‘what I do. Not necessarily about the way I do it!’ it is Tom Baker who embodies that. This interpretation of the character would be similar to Troughton’s but Baker makes the Doctor seem more alien than he has been since William Hartnell- when he speaks to Kettlewell, initially asking him to explain his solar battery, but then abruptly asking him about the robot- we get the sense that his thought patterns are really non-human. This is reflected in his dealings with the regulars- he is immediately friendly with the Brig and Sarah, but barely registers Benton- until he gives the solution to the crisis. He even drives Bessie in a way that is far from the loving manner that his predecessor had. The regulars react to this new presence very effectively and Ian Marter is instantly effective as Harry Sullivan, a man who, when asked to be James Bond, dresses as John Steed.
This would be a fun little tale ordinarily. Baker’s début makes it unmissable.
NEXT: The Ark in Space
Monday, 23 February 2009
Robot
Labels:
Barry Letts,
Benton,
Brigadier,
Christopher Barry,
Harry,
Sarah Jane,
Terrence Dicks,
Tom Baker,
U.N.I.T.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment