In today’s TV climate, we are used to climactic series finales and Enlightenment certainly felt like one. However, it was not the finale, but was followed by this brief oddity. The story is somewhat uninspired- the Master is using a shape-shifting robot called Kamelion to impersonate King John, so that Magna Carta will not be signed. Given only 50 minutes to tell the story, it would be hoped that this will result in a lean script from Terence Dudley, who had written the great historical two-parter Black Orchid. However, what we seem to get is not a four parter with the padding taken out, but the plot, the padding and very little else. Characterisation is non-existent, with characters changing their attitude to the Doctor with each change in circumstances. It doesn’t help that the brief for the story seemed to be a grab bag for all the bullet points for the anniversary season that had not been fulfilled earlier- a historical, a Master story and the introduction of Kamelion. The story just stops with the regulars running into the TARDIS, which is a hardly the most inspired turn of events.
The production goes some way to healing the problems. The sets and costumes are of a high standard (the castle set is very reminiscent of the one in The Crusade) and Tony Virgo puts in a reasonably good job behind the camera. Frank Windsor makes Sir Ranulf seem more rounded than the script allows, although a fine actress like Isla Blair is given far too little to do. The ‘surprise’ of Sir Gilles being the Master is the least effective plot twist in ages- I instantly recognised Ainley at the time. King John (or the Kamelion version of him) is played wonderfully by Gerald Flood. However, the robot itself is something of a disappointment- well designed, but lacking in mobility, and the decision to keep it as a regular character was a bad one, as the production team would eventually realise.
The regulars put in great performances, with Peter Davison again elevating the mundane to the watchable. I love Tegan’s reaction to the Kamelion version of herself as well. However, The King’s Demons, although not terrible is totally inconsequential, and you will lose nothing by skipping it.
NEXT: "The Five Doctors"
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This was the first Ainley story I saw and I still think it has the best dynamic between any Doctor he was up against. He and Davison match up so well; Davison's cool, uncertain, sensitive persona against his equally cool, but more devious and outright destructive character. Pity the writing and situations weren't always on the same level...then came Colin Baker's bombasticness and McCoy...well, there are many reasons why Survival was a bit odd in that respect, but we'll get there later.
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