Monday 14 September 2009

Battlefield

Battlefield sees Doctor Who tackling Arthurian legend for the first time, which is surprising if you see Doctor Who as being a British mythos in its own right, but perhaps less surprising when you consider that Arthurian legend a) mainly French and (b) is basically the story of a king conceived in rape who, despite the help of a half-demon wizard, loses everything due to the fact that he conceives a child with his own sister. However, Ben Aaronovitch creates a very convincing tale where the legend of Arthur is based on the exploits of a warrior king from another dimension, where knights carry a sword on one side and an energy weapon on the other, where ornithopters and organic spacecraft rule the skies and where the line between science and magic is blurred. Into this, we have the Doctor who, to his own surprise, is hailed as Merlin by these people and has to improvise his way through situations that his future self has set up for him. Despite containing some undercooked plotting, a few lines of really dreadful dialogue, Aaronovitch tells a very enjoyable and evocative yarn. Despite a few bad lines, there are far more memorable ones and Aaronovitch's script is clearly the work of someone who deeply cared for what he was writing. Although the effectiveness of some characters is based on the actors, Morgaine is very well written for and the others work very well in the story. Aaronovitch is also concerned with the changing nature of war- Ancelyn and Morgaine represent the chivalric model of battle, overturned forever by World War One. We have the hydrogen bomb and Morgaine has the Destroyer- an obvious allusion to Alan Oppenheimer's paraphrasing from the Bhagavad-Gita (or 'the Hindu Bible' as Indiana Jones artlessly put it).

The realisation of the story is, however, very variable. Michael Kerrigan directs well, but not well enough. It is, perhaps, unfortunate that most of the problems are with the first episode, which is easily the weakest, with silly flying knights, the terrible 'Waiting for me!' bit and the horribly written and directed 'boom!' conversation between Ace and Shou Yuing. Most of the action scenes are poorly choreographed and the stock armour is less than successful. The final scene is a mixture of the sublime and the cringeworthy. However, UNIT looks like an international force for the first time and the actual design is very good. The absolute production highlight is the Destroyer, as good as anything from a big-budget movie. We also have the dreaded return of Keff McCulloch as composer but, although he sometimes indulges his predilection to signpost every movement with a chord, he does some very good work, most notably the already powerful scene where Morgaine kills Lavel and then heals Elizabeth Rawlinson.

There are some good performances, the best of which has to be Jean Marsh as Morgaine, a ruthless witch-queen who, nevertheless, has her own strict code of morality. Marsh is utterly fantastic in this role (the 80s saw her play witch-queens in several movies, so she had practice). Nicholas Courtney returns as the Brigadier giving a wonderful performance, helped by some great lines. The brilliant James Ellis gives a great performance as Warmsly and Ling Tai is very good as Shou Yuing. Christopher Bowen as Mordred is also good, although what possessed Michael Kerrigan to make him laugh like an idiot is beyond me. Brigadier Bambera is not the best written character, but Angela Bruce's natural charisma manages to save the character. Marcus Gilbert is his usual dashing self as Ancelyn, although the romance between him and Bambera seems tacked on. I must mention Sylvester McCoy's performance here. In this story he is both utterly convincing and utterly awful, in places giving the worst ever performance in the title role. Sophie Aldred is generally good, a special highlight being the scene where she is goaded into almost racially insulting Shou Yuing- a very brave move by Aaronavitch which could easily have misfired.

Battlefield manages to combine some excellent moments with some awful ones but it does work. I would recommend watching the 'movie' version if you only have time for one, as it fleshes out the back-story to good effect. It's hardly the highlight of the McCoy era, but is worth watching- and things only get better from here on.

NEXT: Ghost Light

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