There is something about the Victorian Christmas that makes it seem more Christmassy than any other type of Christmas. Maybe it's because of Dickens's A Christmas Carol. Maybe it's because such British Christmas symbols as the German Christmas Tree have their roots in the era. This is why it is a genuine thrill to see the Doctor emerge from the TARDIS to be greeted by the sight of carollers, men in stovepipe hats and boys in Norfolk jackets. He is stunned to hear his name being called and rushes to the source- a young woman who, strangely, continues calling for the Doctor, upon which a handsome man, seemingly in his early forties appears. Dressed to the nines in the height of Victorian fashion, he takes control of the situation, brandishing his sonic screwdriver, shouting 'Allons-y!', only then realising that the skinny stranger beside him has done exactly the same thing.
Of course, it soon becomes obvious that this man is not, nor ever will be the Doctor, but a man named Jackson Lake who, in the process of suffering the worst event of his life, suffered dissociative amnesia, a 'fugue'. However, in this case, there was something to replace the memories and personality that had fled- a burst of compressed information about the Doctor. Lake, believing himself to be the Doctor, attempts to live up to 'his' past, with his assistant Rosita, his sonic screwdriver (which is a normal screwdriver) and his TARDIS- 'Tethered Aerial Release Developed In Style'- a balloon! Despite the spectacle of this story, at the heart is the tale of a man in turmoil who has turned to the Doctor for salvation in a way that no-one else ever has. In subconsciously trying to save himself, he has become a genuine hero, not because of the information about the Doctor, but his own innate courage. This is very canny writing by Russell T Davies and is remarkably touching without one being cloying. The story also sees the return of the Cybermen who are up to their old tricks, but with a new, deadlier conclusion. To do this, they need child labour from the workhouses, which leads to the evocative plot of children toiling in the shadow of a vast steampunk machine. We also have the character of Miss Hartigan, a woman clearly born out of her time, whose ambition is enslaved to the Cyber King- a vast Cyberman with the capability of destroying cities and converting multitudes in its belly. Although the Cyber-plan takes second place to the journey of Jackson Lake, it is certainly a diverting plot thread.
The characters are well written and are brought to life by some stellar performances. David Morrisey is outstanding as Jackson Lake in a performance that is both very Victorian and easy for anyone to relate to. The gorgeous Dervla Kirwan is brilliant as Miss Hartigan, whose driving ambition makes her overcome even Cyber-conditioning.
The realisation of the story is sound enough with the scenes of the Cyber-king rising and wreaking havoc being truly awesome. However, director Andy Goddard sometimes takes his eye off the ball- Dutch angles are used so arbitrarily it sometimes appears that the camera was tilted by accident and there are some framing problems. The editing, too is a bit off. However, the cinematographic skills of Ernest Vincze do a great deal towards correcting this, as do the fantastic production values.
Although not 100% successful, "The Next Doctor" is tremendous fun and still way ahead of most 20th Century Cyberman stories.
NEXT: "Planet of the Dead"
Monday, 4 January 2010
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